| |
 |
| Rutaiwan Wongsirasawad |
 |
| Before taking over the direct sear of “Oops! There’s Dad” Rutaiwan Wongsirasawad had worked behind the scenes as scripted director and commentator of a few renowned Thai films i.e. The Iron Ladies (1997 – directed by Yongyoot Thongkongtoon) and Mekhong Full Moon Party (2002 – direct by Jira Maligool).
A Bachelor of Arts with 18 years experience in advertising, 3 best-seller novels and a big plus point of being a mother of a teenager, Rutaiwan Wongsirasawad was selected as perfect director for the heart-warming comedy “Oops! There’s Dad”. |
|
|
 |
| Wisit Sasanatieng |
|
| Wisit SASANATIENG, born in April 1964. He started to work as an Art Director in the advertising company before fully submerging in the film industry from 1997 with the Film Factory Ltd. He wrote two screenplays for two features,Dang Birley and the young gangster and Nang Nak,both directed by his friend,Nonzee NIMIBUTR.His first feature debut came in 2000 with Tears of the Black Tiger at Five Star Production and Film Bangkok.It was the first Thai film to be officially invited to Cannes Film Festival 2001 and was also invited to numerous internat |
|
|
 |
| PEN-EK Ratanaruang |
|
| PEN-EK Ratanaruang Born on 8 March 1962. Received Bachelor of Arts, majoring in Art history from Pratt Institute, Brooklyn, New york, U.S. A. Became Graphic designer at Designframe Incorporated, New York, U.S.A. Became Head of Art, Leo Burnett Limited, Bangkok, Thailand. Became Film Director, The Film Factory Ltd. Bangkok, Thailand. Was a Jury member for the Main Competition of Singapore International Film Festival 2001. Receive more than 20 awards, since 1990, as Commercial Director, both domestically and internationally, including. Silv |
|
|
 |
| Bhandit Rittakol |
|
| Bhandit Rittakol was born in Ayutthaya in 1951. He spent his entire formative years at Assumption College, Sri Racha, a Catholic boarding school. After that he attended the prestigious Assumption Commercial College in Bangkok. Upon graduation, he became a news reporter for the Nation, an influential English daily, which at that time was just starting. During that period, with many activists as sources, he covered the 14 October 1973 student uprising. Bhandit first stepped into the movie world as a film critic and a screenplay writer in 197 |
|
|
 |
| Thanit Jitnukul |
|
| Thanit was born in 1956. Regarded as a new wave director, his genres encompass comedy, romance, crime, drama to historical epic. His prolific movie-making career include the first to break out and create a new genre of contemporary Thai film appealing to the teenage audience. First helming Happy-Go-Lucky (1985) and its sequel (1986) for Tai Entertainment, Thanit broadened his appeal with Magic Moon (Tai Entertainment 1991) and Love Affaire (1997) his first movie with Five Star Production. He finally hit bull’s eye at the Thai box office wit |
|
|
 |
| Poj Arnon |
|
| Poj Arnon started his career as an advertising sales manager for Ter-Kab-Chan Magazine and worked there until he became a chief editor. He helped bring the magazine to its peak in 1984 and Poj himself became known as one of the most talented scout in the industry. He was behind the success of many teen stars at that time. In 1992, he moved into the film industry working as an assistant director for Sa-Daew-Haew, a film by Five Star Production. However, it was Crazy (1995) that made him a household name. As a director of the movie, he gathe |
|
|
|
|
|